Nate Mayland


Nate is currently accepting intermediate and advanced students for teaching via online platforms. Lessons are available on trombone, bass trombone, and Broadway doubling. 

“Your sound begins long before you play your first note of the day. Before you pick up your horn, before your first breath, it starts as a combination of the way you listen to music and the fundamentals you practice. This is your sound concept. I want to show you how to cultivate a dynamic and musical sound that will help you play any style of music beautifully and confidently.”


Nate is a highly in-demand doubler on Broadway. He has played ten shows of his own, subbed on over 50 chairs, and regularly performs on small tenor, orchestral tenor, bass trombone, euphonium, and tuba.


Nate has performed and toured with The Knights Orchestra, The International Contemporary Ensemble, and others. He has performed the Tomasi Trombone Concerto live on the radio with The Henry Mancini Institute Orchestra, and enjoys the NYC freelance classical world. He studied under the legendary Edward Kleinhammer while in high school.


Nate composes regularly for his own group The Wishbone Project, BONEGASM, The Kat Gang Quartet, The Band of Bones, and others. 


Currently playing with Jennifer Wharton's star-studded BONEGASM, a jazz trombone quartet featuring the writing of Jim McNeely, Renee Rosnes, John Fedchock, Alan Ferber and more. 

Posted October 9th, 2020


I miss music. I miss musicians. I miss the casts. The wardrobe department. The stagehands. The electricians. The ushers. The stage managers. 


Conductor cams. Black clothes. Schlepping. Click tracks. The jokes. The conversations. The doorman. Sitzprobes. Rehearsals. Emails. Texts. Mute drops. Clams. 


The totally unparalleled thrill of a great gig where everyone plays great and someone still manages to steal the show. 


I miss the tourists in Times Square. The subway. The turnstile. The smells. Even Pret. The billboards in Times Square. The Lower East Side. The restaurants. Pure Thai. Central Park. 


Slicing through a crowd of tourists with an instrument on my back. 


Music is an idea. It will always survive, but...


Rent is real. Entertainment workers are real. Live entertainment is not surviving Covid-19. 


Massive across the board cancellations through 2021 have cut income for thousands and thousands of my friends to zero and I and we aren’t coming back until the virus in contained or we have a vaccine.


I’ve spent 26 years studying trombone professionally. I doubt I’ve missed 26 days of practice in that time. Every day. I live it. I love it. When I’m not practicing I’m writing or listening. I hear the math in it. I listen for the intangible. What is good? What swings? The more I learn the less I know. It’s my life. 


I haven’t lost my job. We haven’t lost our jobs. We have lost our careers. We have lost our industry. Imagine a world without lawyers and law. (Please hold your applause.) Without vacation destinations. Without sports. Without teachers or schools. Can you? Live music is GONE. 


It’s the Arts. Bread and Circus. We need the Arts to survive as a worthy society. 


All I ask:







© 2019 by Maylneight Music ASCAP. Unlicensed use of music and or images is prohibited.

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